Araştırma Makalesi
BibTex RIS Kaynak Göster

Design interactions between Charles Rennie Mackintosh and Josef Hoffmann: the case of House for an Art Lover and Palais Stoclet

Yıl 2024, Cilt: 7 Sayı: 1, 125 - 153, 19.04.2024

Şule Pfeiffer Taş Merve Köse

https://doi.org/10.37246/grid.1209968

Öz

Art Nouveau movement was interpreted in a linear-geometric way by Charles Rennie Mackintosh from Glasgow and Josef Hoffmann from Vienna, unlike general design properties such as curved, curvilinear, and floral. Because Mackintosh and Hoffmann have a similar design language, there are many different opinions on the interaction between them. The most common opinion is that Hoffmann was inspired by Mackintosh. The opinion of this view has been examined through Mackintosh's House for an Art Lover (1901) and Hoffmann’s Stoclet Palace (1905-11), which have many similarities in terms of façade and plan. In the paper, in addition to the literature review, it was tried to reach a conclusion with visual and plan comparison. Although House for an Art Lover was built earlier than the Palais Stoclet, according to the findings, many similar properties found in Mackintosh's building were used by Hoffmann in earlier years. Mackintosh began to change his design style in the early 1900s, moving closer to the Viennese Secession style. In this case, contrary to common opinion, inspiration took place first from Vienna to Glasgow and then from Glasgow to Vienna. But the influence of Vienna is more; it seems that Mackintosh was inspired by the Vienna Secession and Hoffmann.

Anahtar Kelimeler

House for an Art Lover Palais Stoclet Charles Rennie Mackintosh Josef Hoffmann Vienna Secession

Kaynakça

  • Asensio, P., & Kliczkowski, S. (2002). Charles Rennie Mackintosh. M. Bunn, B. Beck, C. Plasteig, G. Suffriti (Çev.). London: TeNeues.
  • Aslanoğlu, İ. (1975). Glasgow Sanat ve Mimarlık Okulu ve Charles Rennie Mackintosh. ODTÜ Mimarlık Fakültesi Dergisi, 1(1), 23-30.
  • Aslanoğlu, İ. N. (1983). Bauhaus’a Kadar Endüstriyel Tasarım-Mimarlık İlişkileri. Mimarlık Dergisi, 0(7), 12-16.
  • Baer, C. H. (1914). Moderne Bauformen: Monatshefte für Architektur und Raumkunst. Stuttgart: Verlag Julius Hoffmann.
  • Billcliffe, R., & Vergo, P. (1977). Charles Rennie Mackintosh and the Austrian Art Revival. The Burlington Magazine, 119(896), 739-746.
  • Boeckl, M. (2021). Zwischen Fläche und Raum-Architektonische Erfindungen im Palais Stoclet. In C. Thun-Hohenstein, C. Witt-Dörring, R. Franz, M. Boeckl (Eds.), Josef Hoffmann 1870-1956: Fortschritt durch Schönheit (pp. 139-144). Basel: Birkhäuser Verlag.
  • Breuer, G. (2002). Haus eines Kunstfreundes: Mackay Hugh Baillie Scott, Charles Rennie Mackintosh, Leopold Bauer. Einbeck: Edition Axel Menges.
  • Crawford, A. (1995). Charles Rennie Mackintosh. London: Thames & Hudson.
  • Curtis, W. J. R. (1983). Modern Architecture Since 1900. New Jersey: Phaidon Press Limited.
  • de Clippele, M. S., & Lambrecht, L. (2014). Protection of Chattels within a Listed Building: The Case of Stoclet Palace, Brussels. Art Antiquity and Law, 19(4), 347-373.
  • Dierkens-Aubry, F., Vandenbreeden, J., Bastin, C., & Evrard, J. (1995). Art Nouveau en Belgique: Architecture et Intérieurs. Bruxelles: Racine.
  • El-Wakil, L. (1999). Concours d’architecture et intérieur idéal. Schweizer Ingenieur und Architekt (23) 505-508.
  • Farthing, C., & Cork, R. (2012). Sanatın Tüm Öyküsü. G. Aldoğan, F. C. Çulcu (Çev.). İstanbul: Hayalperest Yayınevi.
  • Fiell, C., & Fiell, P. (1997). Charles Rennie Mackintosh: 1868-1928: Glasgow Style. Köln: Taschen.
  • Fischer, O. W. (2018). The Veil of Truth? Van de Velde, Muthesius, and the Battle over Ornament in Modern Architecture. In L. Vandi (Ed.), Ornament and European Modernism: From Art Practice to Art History (pp. 104-168). New York; Routledge.
  • Frampton, K. (1992). Modern Architecture: A Critical History (3. Baskı). London: Thames & Hudson.
  • Freytag, A. (2017). Garden Architecture. In C. Witt-Dörring, J. Staggs (Eds.), Wiener Werkstätte 1903-1932: The Luxury of Beauty (pp. 410-440). London; Prestel.
  • Freytag, A. (2012). The Stoclet-Frieze. An Artificial Garden at the Heart of the House. In T. G. Natter (Ed.), Gustav Klimt: The Complete Paintings (pp. 100-187). Köln: Taschen.
  • Freytag, A. (2010). Josef Hoffmann’s Unknown Masterpiece: The Garden of Stoclet House in Brussels (1905-1911). Studies in the History of Gardens and Designed Landscapes, 30(4) 337-372.
  • Gresleri, G. (1985). Josef Hoffmann. New York: Rizzoli International Publications.
  • Grogan, E. (2002). Beginnings - Charles Rennie Mackintosh’s Early Sketches. Oxford: Architectural Press.
  • Heller, S., & Chwast, S. (1991). Grafik Sanatlar Üzerine Yazılar: Grafik Tarzlar (3)-Art Nouveau (1890-1914). Grafikerler Meslek Kuruluşu, (49), 1-4.
  • Hoffmann, J. (1903). Villenkolonie Hohe Warte. Das Interieur: Wiener Monatshefte für angewandte Kunst, vol. IV, 121-184.
  • House for an Art Lover. (2020a). History of the House. Erişim adresi: https://www.houseforanartlover.co.uk/about/history-of-the-house [01.11.2021].
  • House for an Art Lover. (2020b). Charles Rennie Mackintosh. Erişim adresi: https://www.houseforanartlover.co.uk/about/charles-rennie-mackintosh [20.10.2021].
  • House for an Art Lover. (2020c). Mackintosh Suite. Erişim adresi: https://www.houseforanartlover.co.uk/hire/locations/mackintosh-suite [09.11.2021].
  • Howarth, A. T. (1949). Charles Rennie Mackintosh and the Secessionist Movement in Architecture. (Yayımlanmamış doktora tezi). University of Glasgow, Scotland.
  • Kameneva, N. (2021) Josef Hoffmann und die Wiener Werkstätte, die ersten Geschäftslokale im Zentrum Wiens. (Yayımlanmamış seminer ödevi). Technische Universität Wien, Wien.
  • Köse, M. (2023). Josef Hoffmann’ın Purkersdorf Sanatoryumu’nun “Gesamtkunstwerk” ve Viyana “Secession” Bağlamında İncelenmesi. (Yayımlanmamış yüksek lisans tezi). Atılım Üniversitesi, Ankara.
  • Kuleli, A. E., & Pfeiffer-Taş, Ş. (2022). Emergence of the Istanbul Art Nouveau Style of Raimondo D’Aronco: The Transformation from the School of Industry to the Ministry of Forestry, Mining and Agriculture and The Janissary Museum. Osmanlı Mirası Araştırmaları Dergisi, 9(23), 55-94.
  • Kulper, A. (2017). House for An Art Lover: Reverberating Echoes: Charles Rennie Mackintosh. In D. Leatherbarrow, A. Eisenschmidt (Eds.), The Companions to the History of Architecture (pp. 1-16). New York: John Wiley & Sons.
  • Lahor, J. (2007). Art Nouveau. R. Brimacombe (Çev.). New York: Parkstone Press International.
  • Larson, P. (1994). CRM Loves MMM: Mackintosh’s “Haus Eines Kunstfreundes”. The Print Collector’s Newsletter, 25(1), 8-14.
  • Macaulay, J. (1993). Glasgow School of Art: Charles Rennie Mackintosh. London: Phaidon Press.
  • Mackintosh Architecture. (2014a). House for an Art Lover Design. Erişim adresi: https://www.mackintosh-architecture.gla.ac.uk/catalogue/drawings/image/?filename=d399_006&xml=dra [17.11.2021].
  • Mackintosh Architecture. (2014b). M191 Competition Design for a House for an Art Lover. Erişim adresi: https://www.mackintosh-architecture.gla.ac.uk/catalogue/freetext/display/?rs=1&xml=des&q=haus%20eines%20kunstfreundes [17.11.2021].
  • Miller, J., Bace, J., Rago, D., & Perrault, S. (2004). Art Nouveau. London: Dorling Kindersley Limited.
  • Muir, E. (2014). The Two Gentleman of Design: Josef Hoffmann, Charles Rennie Mackintosh, and their Contribution to the Decorative Arts in Fin-de-Siecle Glasgow and Vienna. (Honors Projects). Illinois Wesleyan University, Illinois.
  • Mundt, B. (1986). Der Werkstättengedanke um 1900: Kolloquium im Zentralinstitut für Kunstgeschichte München. Kunstchronik, Monatsschrift für Kunstwissenschaft, Museumswesen und Denkmalpflege 39(3) 95-107.
  • Muthesius, H. (1904). Das Englische Haus (II), Berlin: Ernst Wasmuth Verlag.
  • Neue Freie Presse. (1900a). Theater und Kunstnachrichten. Nr: 13002, pp. 6, 3 Kasım 1900.
  • Neue Freie Presse. (1900b). Theater und Kunstnachrichten. Nr: 13056, pp. 8, 29 Aralık 1900.
  • Nicolai, B. (2018). Gesamtkunstwerk Parvenü-Kultur und Reformkonzepte des Interieurs. In C. Göttler, P. J. Schneemann, B. Borkopp-Restle, N. Gramaccini, P. W. Marx, B. Nicolai (Eds.), Reading Room. Re-Lektüren des Innenraums (pp. 93-106). Berlin: De Gruyter.
  • Pevsner, N. (1975). Pioneers of the Modern Movement From William Morris to Walter Gropius. London: Penguin Books.
  • Pevsner, N. (1968). The Sources of Modern Architecture and Design. London: Thames & Hudson.
  • Pfeiffer-Taş, Ş. (2022). Kişisel Arşiv.
  • Pfeiffer-Taş, Ş. (2020). Viyana Seyahati Anlatısında Evliya Çelebi’nin İmparator I. Leopold’u Betimlemesinin Sanat Eserleri Üzerinden Değerlendirilmesi. In E. Yılmaz, N. Tezcan, N. Demir (Eds.), Semih Tezcan Kitabı (pp. 291-312). Ankara: Nobel Yayınları.
  • Pfeiffer-Taş, Ş. (2019). The Turkish Image in the Era of Maria Theresia: Art, Politics, Propaganda, 16th International Congress of Turkish Art, Hacettepe University, Ankara, October 3-5, 2019.
  • Sarnitz, A. (2016). Josef Hoffmann 1870-1956: In the Realm of Beauty. Köln: Taschen.
  • Sekler, E. (1973). Mackintosh and Vienna. In N. Pevsner, J. M. Richards (Eds.), The Anti-Rationalists (pp. 136-142). New York: Harper and Row Publishers.
  • Sekler, E. F. (1985). Josef Hoffmann: The Architectural Work: Monograph and Catalogue of Works. New Jersey: Princeton University Press.
  • Shapira, E. (2006). Modernism and Jewish Identity in Early Twentieth-Century Vienna Fritz Waerndorfer and His House for an Art Lover. Studies in the Decorative Arts, 13(2) 52-92.
  • Sterner, G. (1982). Art Nouveau: An Art of Transition-From Individualism to Mass Society. New York: Barron’s. Studio Pavilion. (2018). House for an Art Lover. Erişim adresi: https://studiopavilion.co.uk/about/house/ [09.11.2021].
  • The Studio. (1899). Some Country and Suburban Houses designed by Ernest Newton. 17(77), 157-164.
  • Thun-Hohenstein, K. (2012). Josef Hoffmann–Sanatorium Purkersdorf (1904-1905). (Yayımlanmamış diploma tezi). Universität Wien, Wien.
  • Trachtenberg, M., & Hyman, I. (2003). Architecture from Prehistory to Post-Modernism: The Western Tradition (2. Baskı). New Jersey: Prentice Hall.
  • UNESCO- World Heritage Convention. (2009a). Advisory Body Evaluations (ICOMOS)- Stoclet House (Belgium) No: 1298. Erişim adresi: https://whc.unesco.org/en/list/1298/documents/ [09.11.2021].
  • UNESCO- World Heritage Convention. (2009b). Stoclet House. Erişim adresi: https://whc.unesco.org/en/list/1298/ [09.11.2021].
  • Varnedoe, K., & Koulen, M. (1987) Wien 1900: Kunst, Architektur & Design. Köln: Taschen.
  • Vergo, P. (1975). Art in Vienna 1898-1918: Klimt, Kokoschka, Schiele and Their Contemporaries, London: Phaidon Press.
  • Wagner, O. (1988). Modern Architecture: A Guidebook for His Students to This Field of Art, California: Getty Publications, California.
  • Witt-Dörring, C. (2017). Palais Stoclet. In C. Witt-Dörring, J. Staggs (Eds.), Wiener Werkstätte 1903-1932: The Luxury of Beauty (pp. 368-409). New York: Prestel.
  • Wójcik, A. (2019). The Society for Polish Applied Art Versus The Vienna Workshops–An Attempt at Comparison. Stylistic Analogies in Furniture and Interior Design. Rocznik Historii Sztuki, 125-138.
  • Zevi, B. (1978). The Modern Language of Architecture. Canberra: Australian National University Press.

Charles Rennie Mackintosh ve Josef Hoffmann arasındaki tasarım etkileşimleri: Sanatsever Evi ve Stoclet Palas Örneği

Yıl 2024, Cilt: 7 Sayı: 1, 125 - 153, 19.04.2024

Şule Pfeiffer Taş Merve Köse

https://doi.org/10.37246/grid.1209968

Öz

Art Nouveau akımı, kıvrımlı, eğrisel, bitkisel gibi genel tasarım özelliklerinden farklı olarak Glasgow’dan Charles Rennie Mackintosh ve Viyana’dan Josef Hoffmann tarafından doğrusal-geometrik şekilde yorumlanmıştır. Mackintosh ve Hoffmann’ın benzer tasarım diline sahip olmaları nedeniyle aralarındaki etkileşim hakkında birçok farklı görüş bulunmaktadır. En yaygın görüş Hoffmann’ın Mackintosh’tan esinlendiği üzerinedir. Bu görüşün doğruluğu, cephe ve plan açısından birçok benzerlik bulunduran Mackintosh’un Sanatsever Evi (1901) ve Hoffmann’ın Stoclet Palas (1905-11) yapısı üzerinden incelenmiştir. Çalışmada, literatür taramasına ek olarak görsel ve plan karşılaştırmalarıyla sonuca varılmaya çalışılmıştır. Sanatsever Evi, Stoclet Palas’tan daha önce inşa edilmesine rağmen bulgulara göre Mackintosh’un yapısındaki birçok benzer özellik Hoffmann tarafından daha önceki yıllarda kullanılmıştır. Mackintosh tasarım stilini 1900’lerin ilk yıllarında değiştirmeye başlayarak Viyana Secession stiline yakınlaşmıştır. Böylece yaygın görüşlerin aksine esinlenme önce Viyana’dan Glasgow’a ardından Glasgow’dan Viyana’ya gerçekleşmiştir. Fakat Viyana’nın etkisinin daha fazla olduğu; Mackintosh’un Viyana Secession’dan ve Hoffmann’dan esinlendiği görülmektedir.

Anahtar Kelimeler

Sanatsever Evi Stoclet Palas Charles Rennie Mackintosh Josef Hoffmann Viyana Secession

Kaynakça

  • Asensio, P., & Kliczkowski, S. (2002). Charles Rennie Mackintosh. M. Bunn, B. Beck, C. Plasteig, G. Suffriti (Çev.). London: TeNeues.
  • Aslanoğlu, İ. (1975). Glasgow Sanat ve Mimarlık Okulu ve Charles Rennie Mackintosh. ODTÜ Mimarlık Fakültesi Dergisi, 1(1), 23-30.
  • Aslanoğlu, İ. N. (1983). Bauhaus’a Kadar Endüstriyel Tasarım-Mimarlık İlişkileri. Mimarlık Dergisi, 0(7), 12-16.
  • Baer, C. H. (1914). Moderne Bauformen: Monatshefte für Architektur und Raumkunst. Stuttgart: Verlag Julius Hoffmann.
  • Billcliffe, R., & Vergo, P. (1977). Charles Rennie Mackintosh and the Austrian Art Revival. The Burlington Magazine, 119(896), 739-746.
  • Boeckl, M. (2021). Zwischen Fläche und Raum-Architektonische Erfindungen im Palais Stoclet. In C. Thun-Hohenstein, C. Witt-Dörring, R. Franz, M. Boeckl (Eds.), Josef Hoffmann 1870-1956: Fortschritt durch Schönheit (pp. 139-144). Basel: Birkhäuser Verlag.
  • Breuer, G. (2002). Haus eines Kunstfreundes: Mackay Hugh Baillie Scott, Charles Rennie Mackintosh, Leopold Bauer. Einbeck: Edition Axel Menges.
  • Crawford, A. (1995). Charles Rennie Mackintosh. London: Thames & Hudson.
  • Curtis, W. J. R. (1983). Modern Architecture Since 1900. New Jersey: Phaidon Press Limited.
  • de Clippele, M. S., & Lambrecht, L. (2014). Protection of Chattels within a Listed Building: The Case of Stoclet Palace, Brussels. Art Antiquity and Law, 19(4), 347-373.
  • Dierkens-Aubry, F., Vandenbreeden, J., Bastin, C., & Evrard, J. (1995). Art Nouveau en Belgique: Architecture et Intérieurs. Bruxelles: Racine.
  • El-Wakil, L. (1999). Concours d’architecture et intérieur idéal. Schweizer Ingenieur und Architekt (23) 505-508.
  • Farthing, C., & Cork, R. (2012). Sanatın Tüm Öyküsü. G. Aldoğan, F. C. Çulcu (Çev.). İstanbul: Hayalperest Yayınevi.
  • Fiell, C., & Fiell, P. (1997). Charles Rennie Mackintosh: 1868-1928: Glasgow Style. Köln: Taschen.
  • Fischer, O. W. (2018). The Veil of Truth? Van de Velde, Muthesius, and the Battle over Ornament in Modern Architecture. In L. Vandi (Ed.), Ornament and European Modernism: From Art Practice to Art History (pp. 104-168). New York; Routledge.
  • Frampton, K. (1992). Modern Architecture: A Critical History (3. Baskı). London: Thames & Hudson.
  • Freytag, A. (2017). Garden Architecture. In C. Witt-Dörring, J. Staggs (Eds.), Wiener Werkstätte 1903-1932: The Luxury of Beauty (pp. 410-440). London; Prestel.
  • Freytag, A. (2012). The Stoclet-Frieze. An Artificial Garden at the Heart of the House. In T. G. Natter (Ed.), Gustav Klimt: The Complete Paintings (pp. 100-187). Köln: Taschen.
  • Freytag, A. (2010). Josef Hoffmann’s Unknown Masterpiece: The Garden of Stoclet House in Brussels (1905-1911). Studies in the History of Gardens and Designed Landscapes, 30(4) 337-372.
  • Gresleri, G. (1985). Josef Hoffmann. New York: Rizzoli International Publications.
  • Grogan, E. (2002). Beginnings - Charles Rennie Mackintosh’s Early Sketches. Oxford: Architectural Press.
  • Heller, S., & Chwast, S. (1991). Grafik Sanatlar Üzerine Yazılar: Grafik Tarzlar (3)-Art Nouveau (1890-1914). Grafikerler Meslek Kuruluşu, (49), 1-4.
  • Hoffmann, J. (1903). Villenkolonie Hohe Warte. Das Interieur: Wiener Monatshefte für angewandte Kunst, vol. IV, 121-184.
  • House for an Art Lover. (2020a). History of the House. Erişim adresi: https://www.houseforanartlover.co.uk/about/history-of-the-house [01.11.2021].
  • House for an Art Lover. (2020b). Charles Rennie Mackintosh. Erişim adresi: https://www.houseforanartlover.co.uk/about/charles-rennie-mackintosh [20.10.2021].
  • House for an Art Lover. (2020c). Mackintosh Suite. Erişim adresi: https://www.houseforanartlover.co.uk/hire/locations/mackintosh-suite [09.11.2021].
  • Howarth, A. T. (1949). Charles Rennie Mackintosh and the Secessionist Movement in Architecture. (Yayımlanmamış doktora tezi). University of Glasgow, Scotland.
  • Kameneva, N. (2021) Josef Hoffmann und die Wiener Werkstätte, die ersten Geschäftslokale im Zentrum Wiens. (Yayımlanmamış seminer ödevi). Technische Universität Wien, Wien.
  • Köse, M. (2023). Josef Hoffmann’ın Purkersdorf Sanatoryumu’nun “Gesamtkunstwerk” ve Viyana “Secession” Bağlamında İncelenmesi. (Yayımlanmamış yüksek lisans tezi). Atılım Üniversitesi, Ankara.
  • Kuleli, A. E., & Pfeiffer-Taş, Ş. (2022). Emergence of the Istanbul Art Nouveau Style of Raimondo D’Aronco: The Transformation from the School of Industry to the Ministry of Forestry, Mining and Agriculture and The Janissary Museum. Osmanlı Mirası Araştırmaları Dergisi, 9(23), 55-94.
  • Kulper, A. (2017). House for An Art Lover: Reverberating Echoes: Charles Rennie Mackintosh. In D. Leatherbarrow, A. Eisenschmidt (Eds.), The Companions to the History of Architecture (pp. 1-16). New York: John Wiley & Sons.
  • Lahor, J. (2007). Art Nouveau. R. Brimacombe (Çev.). New York: Parkstone Press International.
  • Larson, P. (1994). CRM Loves MMM: Mackintosh’s “Haus Eines Kunstfreundes”. The Print Collector’s Newsletter, 25(1), 8-14.
  • Macaulay, J. (1993). Glasgow School of Art: Charles Rennie Mackintosh. London: Phaidon Press.
  • Mackintosh Architecture. (2014a). House for an Art Lover Design. Erişim adresi: https://www.mackintosh-architecture.gla.ac.uk/catalogue/drawings/image/?filename=d399_006&xml=dra [17.11.2021].
  • Mackintosh Architecture. (2014b). M191 Competition Design for a House for an Art Lover. Erişim adresi: https://www.mackintosh-architecture.gla.ac.uk/catalogue/freetext/display/?rs=1&xml=des&q=haus%20eines%20kunstfreundes [17.11.2021].
  • Miller, J., Bace, J., Rago, D., & Perrault, S. (2004). Art Nouveau. London: Dorling Kindersley Limited.
  • Muir, E. (2014). The Two Gentleman of Design: Josef Hoffmann, Charles Rennie Mackintosh, and their Contribution to the Decorative Arts in Fin-de-Siecle Glasgow and Vienna. (Honors Projects). Illinois Wesleyan University, Illinois.
  • Mundt, B. (1986). Der Werkstättengedanke um 1900: Kolloquium im Zentralinstitut für Kunstgeschichte München. Kunstchronik, Monatsschrift für Kunstwissenschaft, Museumswesen und Denkmalpflege 39(3) 95-107.
  • Muthesius, H. (1904). Das Englische Haus (II), Berlin: Ernst Wasmuth Verlag.
  • Neue Freie Presse. (1900a). Theater und Kunstnachrichten. Nr: 13002, pp. 6, 3 Kasım 1900.
  • Neue Freie Presse. (1900b). Theater und Kunstnachrichten. Nr: 13056, pp. 8, 29 Aralık 1900.
  • Nicolai, B. (2018). Gesamtkunstwerk Parvenü-Kultur und Reformkonzepte des Interieurs. In C. Göttler, P. J. Schneemann, B. Borkopp-Restle, N. Gramaccini, P. W. Marx, B. Nicolai (Eds.), Reading Room. Re-Lektüren des Innenraums (pp. 93-106). Berlin: De Gruyter.
  • Pevsner, N. (1975). Pioneers of the Modern Movement From William Morris to Walter Gropius. London: Penguin Books.
  • Pevsner, N. (1968). The Sources of Modern Architecture and Design. London: Thames & Hudson.
  • Pfeiffer-Taş, Ş. (2022). Kişisel Arşiv.
  • Pfeiffer-Taş, Ş. (2020). Viyana Seyahati Anlatısında Evliya Çelebi’nin İmparator I. Leopold’u Betimlemesinin Sanat Eserleri Üzerinden Değerlendirilmesi. In E. Yılmaz, N. Tezcan, N. Demir (Eds.), Semih Tezcan Kitabı (pp. 291-312). Ankara: Nobel Yayınları.
  • Pfeiffer-Taş, Ş. (2019). The Turkish Image in the Era of Maria Theresia: Art, Politics, Propaganda, 16th International Congress of Turkish Art, Hacettepe University, Ankara, October 3-5, 2019.
  • Sarnitz, A. (2016). Josef Hoffmann 1870-1956: In the Realm of Beauty. Köln: Taschen.
  • Sekler, E. (1973). Mackintosh and Vienna. In N. Pevsner, J. M. Richards (Eds.), The Anti-Rationalists (pp. 136-142). New York: Harper and Row Publishers.
  • Sekler, E. F. (1985). Josef Hoffmann: The Architectural Work: Monograph and Catalogue of Works. New Jersey: Princeton University Press.
  • Shapira, E. (2006). Modernism and Jewish Identity in Early Twentieth-Century Vienna Fritz Waerndorfer and His House for an Art Lover. Studies in the Decorative Arts, 13(2) 52-92.
  • Sterner, G. (1982). Art Nouveau: An Art of Transition-From Individualism to Mass Society. New York: Barron’s. Studio Pavilion. (2018). House for an Art Lover. Erişim adresi: https://studiopavilion.co.uk/about/house/ [09.11.2021].
  • The Studio. (1899). Some Country and Suburban Houses designed by Ernest Newton. 17(77), 157-164.
  • Thun-Hohenstein, K. (2012). Josef Hoffmann–Sanatorium Purkersdorf (1904-1905). (Yayımlanmamış diploma tezi). Universität Wien, Wien.
  • Trachtenberg, M., & Hyman, I. (2003). Architecture from Prehistory to Post-Modernism: The Western Tradition (2. Baskı). New Jersey: Prentice Hall.
  • UNESCO- World Heritage Convention. (2009a). Advisory Body Evaluations (ICOMOS)- Stoclet House (Belgium) No: 1298. Erişim adresi: https://whc.unesco.org/en/list/1298/documents/ [09.11.2021].
  • UNESCO- World Heritage Convention. (2009b). Stoclet House. Erişim adresi: https://whc.unesco.org/en/list/1298/ [09.11.2021].
  • Varnedoe, K., & Koulen, M. (1987) Wien 1900: Kunst, Architektur & Design. Köln: Taschen.
  • Vergo, P. (1975). Art in Vienna 1898-1918: Klimt, Kokoschka, Schiele and Their Contemporaries, London: Phaidon Press.
  • Wagner, O. (1988). Modern Architecture: A Guidebook for His Students to This Field of Art, California: Getty Publications, California.
  • Witt-Dörring, C. (2017). Palais Stoclet. In C. Witt-Dörring, J. Staggs (Eds.), Wiener Werkstätte 1903-1932: The Luxury of Beauty (pp. 368-409). New York: Prestel.
  • Wójcik, A. (2019). The Society for Polish Applied Art Versus The Vienna Workshops–An Attempt at Comparison. Stylistic Analogies in Furniture and Interior Design. Rocznik Historii Sztuki, 125-138.
  • Zevi, B. (1978). The Modern Language of Architecture. Canberra: Australian National University Press.
Toplam 64 adet kaynakça vardır.

Ayrıntılar

Birincil Dil Türkçe
Konular Mimarlık
Bölüm Araştırma Makaleleri
Yazarlar

Şule Pfeiffer Taş 0000-0002-2262-483X

Merve Köse 0000-0002-7767-3946

Yayımlanma Tarihi 19 Nisan 2024
Gönderilme Tarihi 25 Kasım 2022
Yayımlandığı Sayı Yıl 2024 Cilt: 7 Sayı: 1

Kaynak Göster

APA Pfeiffer Taş, Ş., & Köse, M. (2024). Charles Rennie Mackintosh ve Josef Hoffmann arasındaki tasarım etkileşimleri: Sanatsever Evi ve Stoclet Palas Örneği. GRID - Mimarlık Planlama Ve Tasarım Dergisi, 7(1), 125-153. https://doi.org/10.37246/grid.1209968
 Kapak Resmi İndir